Gina Siepel

Gina Siepel

  • Projects/Installations
    • To Understand a Tree (ongoing)
      • Tree and Site
      • Participants and Public Engagement
      • Green Woodworking
    • Living Material
    • FOREST-BODY-CHAIR
    • Cycle of Self-Determination
    • SELF-MADE
    • Chair and Tree Studies
    • Re-Surveying Walden
    • New World Reconsidered
    • The Versatile Queer-All
    • 1 x 1
    • A River Twice
    • The Boy Mechanic Project
    • The Coracles of Pignut Pond
    • The Candidate is Absent
    • CACOPHONY
    • Audubon's Birds
    • Portrait of Audubon
    • After Winslow Homer
    • Emma's Walk
    • King Philip Was a Warrior Bold...
    • Historic Site
    • Recursions
  • About
  • CV
  • Selected Press
    • "Self-Made, Gina Siepel’s queer coming-of-age story at Vox Populi Gallery," by Levi Bentley, ArtBlog Philadelphia, 2018
    • "Gina Siepel's Listening Trips," by Jacqueline Gleisner, Art21 Magazine, 2016
    • "To Understand a Tree: An Environmental Art Piece by Gina Siepel," by Shira Zaid, "The Sophian," 2020
    • "Gina Siepel: The Artist as Explorer," by Lauren Lessing, "Currents 6" exhibition catalog essay, Colby College Museum of Art, 2010
    • "Gina Siepel: Currents 6," by Carl Little, Art New England, 2011
  • Contact
CACOPHONY: Audio Collage
2011



Audio collage made from field recordings taken during CACOPHONY canoe trips on the Bronx River and Jamaica Bay, 2011.



CACOPHONY: A Series of Listening trips


In the summer of 2011, I led a series of early morning expeditions by boat, in the Bronx River and the Jamaica Bay National Wildlife Refuge, as a part of the "Sea Worthy" festival, sponsored by Flux Factory in New York City. Participants joined me for a silent canoe trip at sunrise, and we experienced and recorded the surprising and sometimes disconcerting mixture of sounds on these waterways - birds, trains, cars, radios, airplanes, waterfalls. There was only room in the canoe for one participant at a time, and we were immersed together in the early morning magic of the quietly humming city.


These excursions became an active meditation on the entanglement of nature and the built environment, as we contemplated rich wildlife habitats, roaring trains, bustling highways, trash and recycling transfer stations, a multitude of graffitied bridges and overpasses, commercial warehouses, years of neglected trash, and ecological restoration projects. Intended to explore and contemplate a queer, non-binary understanding of nature in contemporary times, in its wildly alive, hybridized, impure, urbanized, human-influenced, crisis-weary, post-industrial complexities.


Image: Somewhere south of 219th Street, near the beginning of the journey. photo credit: Anna Reynolds

All images and text copyright 2006-2022 Gina Siepel. All rights reserved.

An Icompendium Site