Gina Siepel

Gina Siepel

  • Projects/Installations
    • To Understand a Tree (ongoing)
      • Tree and Site
      • Participants and Public Engagement
      • Green Woodworking
    • Living Material
    • FOREST-BODY-CHAIR
    • Cycle of Self-Determination
    • SELF-MADE
    • Chair and Tree Studies
    • Re-Surveying Walden
    • New World Reconsidered
    • The Versatile Queer-All
    • 1 x 1
    • A River Twice
    • The Boy Mechanic Project
    • The Coracles of Pignut Pond
    • The Candidate is Absent
    • CACOPHONY
    • Audubon's Birds
    • Portrait of Audubon
    • After Winslow Homer
    • Emma's Walk
    • King Philip Was a Warrior Bold...
    • Historic Site
    • Recursions
  • About
  • CV
  • Selected Press
    • "Self-Made, Gina Siepel’s queer coming-of-age story at Vox Populi Gallery," by Levi Bentley, ArtBlog Philadelphia, 2018
    • "Gina Siepel's Listening Trips," by Jacqueline Gleisner, Art21 Magazine, 2016
    • "To Understand a Tree: An Environmental Art Piece by Gina Siepel," by Shira Zaid, "The Sophian," 2020
    • "Gina Siepel: The Artist as Explorer," by Lauren Lessing, "Currents 6" exhibition catalog essay, Colby College Museum of Art, 2010
    • "Gina Siepel: Currents 6," by Carl Little, Art New England, 2011
  • Contact
King Philip Was a Warrior Bold, Whose Deeds Were Writ in Records Old, He Through New England's Woods Did Roam, and Sorrow Brought to Many a Home
2009
Removable Wall Vinyl on Existing Wallpaper
variable

Detail image, battle scene and King Philip. documentation of site-specific installation at the Peabody Historical Society in Peabody, Massachusetts



This work was made as a site specific installation in the main stairwell of the Osborne-Salata House at the Peabody Historical Society in Peabody, Massachusetts. Participating artists were invited to make a piece in response to the museum's collection. Upon touring the site, I was struck by the assumption that North American history begins with European presence: walking around the rooms of the house and looking at the artifacts displayed there, I thought I would have had no idea that North America was inhabited by humans prior to European colonization, if I hadn't entered with that knowledge.


I began reading about King Philip's War, a violent conflict between the English and the Wampanoag that began in 1675, and raged over the entire state of Massachusetts. This work samples from historic paintings and engravings depicting this war and re-presents these violent images over the museum's French toile wallpaper, which features idyllic vignettes of Europeans frolicking in a pastoral landscape.

All images and text copyright 2006-2022 Gina Siepel. All rights reserved.

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