Gina Siepel

Gina Siepel

  • Projects/Installations
    • To Understand a Tree (ongoing)
      • Tree and Site
      • Participants and Public Engagement
      • Green Woodworking
    • Living Material
    • FOREST-BODY-CHAIR
    • Cycle of Self-Determination
    • SELF-MADE
    • Chair and Tree Studies
    • Re-Surveying Walden
    • New World Reconsidered
    • The Versatile Queer-All
    • 1 x 1
    • A River Twice
    • The Boy Mechanic Project
    • The Coracles of Pignut Pond
    • The Candidate is Absent
    • CACOPHONY
    • Audubon's Birds
    • Portrait of Audubon
    • After Winslow Homer
    • Emma's Walk
    • King Philip Was a Warrior Bold...
    • Historic Site
    • Recursions
  • About
  • CV
  • Selected Press
    • "Self-Made, Gina Siepel’s queer coming-of-age story at Vox Populi Gallery," by Levi Bentley, ArtBlog Philadelphia, 2018
    • "Gina Siepel's Listening Trips," by Jacqueline Gleisner, Art21 Magazine, 2016
    • "To Understand a Tree: An Environmental Art Piece by Gina Siepel," by Shira Zaid, "The Sophian," 2020
    • "Gina Siepel: The Artist as Explorer," by Lauren Lessing, "Currents 6" exhibition catalog essay, Colby College Museum of Art, 2010
    • "Gina Siepel: Currents 6," by Carl Little, Art New England, 2011
  • Contact
The Boy Mechanic Project
2008
Book Two Cover and process image

Project Information: THE BOY MECHANIC PROJECT

Between 1913 and 1925, "Popular Mechanics" magazine published a series of four books called, "The Boy Mechanic: 1000 Things for Boys to Do". The books contain thousands of do-it-yourself projects submitted by Popular Mechanics readers all over the nation, forming a complex and surprising picture of Americans during this period. The projects range from simple pragmatic items, like a traveler's bookcase, to wild flights of fancy, like a homemade roller coaster. They demonstrate an optimistic faith in simple materials, scrappy ingenuity, and big dreams.

In the Boy Mechanic Project, I build objects from these books as a means of exploring connections between object making, self-making, and the American ideal of the self-made man. The promise of "The Boy Mechanic" is that skills, habits and actions allow us to consciously construct ourselves according to our values. I grapple with the problems and possibilities contained within the stereotype of the Boy Mechanic, as I confront the technical problems in the designs themselves, like a folding boat that won't fold or float, or rolling sawhorses that won't roll. I attempt to solve these absurd problems in a spirit of critically engaged optimism.

Through this queer process of exploring my desire to embody the unattainable, idealized vision the Boy Mechanic represents, I re-contextualize the idea of a self-reliant American boy. I explore the humor and contradictions of an absurd form of constructed masculinity, with its disquieting implications of nationalism, capitalism, optimism, and liberation.




All images and text copyright 2006-2022 Gina Siepel. All rights reserved.

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