Gina Siepel

Gina Siepel

  • Projects/Installations
    • To Understand a Tree (ongoing)
      • Tree and Site
      • Participants and Public Engagement
      • Green Woodworking
    • Living Material
    • FOREST-BODY-CHAIR
    • Cycle of Self-Determination
    • SELF-MADE
    • Chair and Tree Studies
    • Re-Surveying Walden
    • New World Reconsidered
    • The Versatile Queer-All
    • 1 x 1
    • A River Twice
    • The Boy Mechanic Project
    • The Coracles of Pignut Pond
    • The Candidate is Absent
    • CACOPHONY
    • Audubon's Birds
    • Portrait of Audubon
    • After Winslow Homer
    • Emma's Walk
    • King Philip Was a Warrior Bold...
    • Historic Site
    • Recursions
  • About
  • CV
  • Selected Press
    • "Self-Made, Gina Siepel’s queer coming-of-age story at Vox Populi Gallery," by Levi Bentley, ArtBlog Philadelphia, 2018
    • "Gina Siepel's Listening Trips," by Jacqueline Gleisner, Art21 Magazine, 2016
    • "To Understand a Tree: An Environmental Art Piece by Gina Siepel," by Shira Zaid, "The Sophian," 2020
    • "Gina Siepel: The Artist as Explorer," by Lauren Lessing, "Currents 6" exhibition catalog essay, Colby College Museum of Art, 2010
    • "Gina Siepel: Currents 6," by Carl Little, Art New England, 2011
  • Contact
The Coracles of Pignut Pond
2016
collaborative boat building project and participatory event

Made for POND, a special session at Mildred's Lane, "The Coracles of Pignut Pond" were designed, built, and ceremonially launched for the inauguration of Pignut Pond, a new body of water designed collaboratively at the Lane. Reflecting a humble, vernacular aesthetic and a whimsical attitude, the Coracles fostered a sense of play, failure, and fantasy on the pond.


Coracles are one of the simplest boats known to humanity. Originating in many cultures (Southeast Asia, the British Isles, Indigenous nations of the Central Plains in the current USA), they were traditionally fabricated from green saplings and hide. Our coracles used green red oak, soaked for several days until pliable, copper rivets, and painted canvas.


The coracles were built over a two-week stay at the Lane, with the participation of the Mildred Fellows and other guest artists and scholars. As we worked, we also participated in sessions about pond ecology, Thoreau, artists' lectures, and the domestic life of Mildred's Lane, and the session culminated with a celebratory coracle launch, involving many "shipwrecks."

All images and text copyright 2006-2022 Gina Siepel. All rights reserved.

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